Tuesday, November 29, 2011
i carry your heart
(i carry it in my heart)
i am never without it
(anywhere i go you go, my dear;
and whatever is done by me
is only your doing, my darling)
i fear no fate
(for you are my fate, my sweet)
i want no world
(for beautiful you are my world, my true)
and you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root
and the bud of the bud
and the sky of the sky
of a tree called life; which grows
higher than the soul can hope
or mind can hide)
and this is the wonder
that's keeping the stars apart
i carry your heart
(i carry it in my heart)
-- e e cummings
One Art
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.
--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
--Elizabeth Bishop
Thursday, November 24, 2011
Note Autobiographical
With the damp of dreams
Autumn's funeral
With a coffin of leaves
I asked Grandma,
"Is God a Muslim?"
No one taught me the Koran
My father mouthed Freud and Marx
Something about recognizing necessity
Mother had long since discarded the veil
Grandma read me the tale of Job
"The Lord giveth, the Lord taketh away
Then God came:
A poor eyesight, a silver beard,
Ninety years old
My Grandfather
I worshiped him
Proud and gentle
But he crumpled
Like a maple leaf
Dust unto dust is his will.
Then our servant lost his shoes at the mosque
I had nothing left to ask.
My voice cracked on Ghalib
As dreams of God crumbled for me
Our servant, his shoes stolen at the mosque,
Turned deaf to the muezzin's call
The calligraphed dome gave way to the sky
Autumn caved into me with its script of flames
And ignited my dry garbage of God
I varnished my face with the sun,
My tongue forgot the texture of prayer.
--Agha Shahid Ali
Ke zindagi teri zulfon ki narm chhaon mein
Guzarane paati to shaadaab ho bhi sakati thi
Ye teergi jo meri zeest ka muqaddar hai
Teri nazar ki shuaon mein kho bhi sakati thi
Ajab na tha ke main begaana-e-alam reh kar
Tere jamaal ki raanaaiyon mein kho rahata
Tera gudaaz badan teri neem-baaz aankhein
Inhin haseen fazaaon mein mehav ho rahata
Pukaratin mujhe jab talkhiyan zamaane ki
Tere labon se halaawat ke ghoont pi leta
Hayaat cheekhati phirti barahana-sar, aur main
Ghaneri zulfon ke saaye mein chhup ke ji leta
Magar ye ho na saka, aur ab ye aalam hai
Ke tu nahin, tera gham, teri justajoo bhi nahin
Guzar rahi hai kuchh is tarah zindagi, jaise
Ise kisi ke sahaare ki aarazoo bhi nahin
Zamaane bhar ke dukhon ko lagaa chuka hun gale
Guzar raha hun kuchh anjaani rahguzaaron se
Muheeb saaye meri simt badhate aate hain
Hayaat-o-maut ke pur-haul khaar-zaaron se
Na koi jaada na manzil na roshani ka suraag
Bhatak rahi hai khalaaon mein zindagi meri
Inhin khalaaon mein rah jaoonga kabhi khokar
Main jaanata hun meri hum-nafas, magar yun hi
Kabhi kabhi mere dil mein khayaal aata hai...
Sometimes the thought comes to my mind…
That life spent in the soft shadows of your tresses
Would be so joyful if it could be so; that
This sorrow, which seems to be the fate of my existence
Could have been lost in the radiance of your eyes.
It would not have been strange if I, forgetful of the world
Had remained lost in the flashes of your beauty.
Your lithe body, your half-shut, dreamy eyes—
If I had been occupied with such beautiful fantasies.
And when the bitter realities of life called me
I would have drunk the sweet nectar of your lips.
Life would be shouting and shrieking about me, and I
Would have hidden in the shadows of your thick tresses, and lived.
But alas this could not be and now such is my condition
That neither you, nor sorrow for your loss, nor longing for you exist.
My life is passing by in such a manner as if
It has not even the aspiration for anyone’s succour.
I have embraced the sorrows of the world.
I am travelling through unknown paths
Terrifying shadows are coming toward me
From the frightening planes of life and death.
I have no place, no goal, neither a ray of sunlight.
My life is being wasted in desolate wildernesses.
I will remain lost in such desolate places for ever
I know, o my soul-mate, but still, out of the blue,
Sometimes the thought comes to my mind…
Star Trek
My love is wandering in star flight
I know he'll find
In star clustered reaches
Love, strange love
A star woman teaches
I know his journey ends never
His Star Trek will go on forever
But tell him while
He wanders his starry sea,
Remember,
Remember me.
Wednesday, November 23, 2011
White Nights by Dostoevsky
Pablo
There in Rangoon I realized
that the gods were enemies,
just like God,
of the poor human being.
Gods in alabaster extended
like white whales,
gods gilded like spikes,
serpent gods entwining
the crime of being born,
naked and elegant buddhas
smiling at the cocktail party
of empty eternity
like Christ on his horrible cross,
all of them capable of anything,
of imposing on us their heaven,
all with torture or pistol
to purchase piety or burn our blood,
fierce gods made by men
to conceal their cowardice,
and there it was all like that,
the whole earth reeking of heaven,
and heavenly merchandise.
- Pablo Neruda
is it fair? by Urma
Excerpt from Ebert's review of Eat Pray Love
Here is a movie about Liz Gilbert. About her quest, her ambition, her good luck in finding only nice men, including the ones she dumps. She funds her entire trip, including scenic accommodations, ashram, medicine man, guru, spa fees and wardrobe, on her advance to write this book. Well, the publisher obviously made a wise investment. It's all about her, and a lot of readers can really identify with that. Her first marriage apparently broke down primarily because she tired of it, although Roberts at (a sexy and attractive) 43 makes an actor's brave stab at explaining they were "young and immature." She walks out on the guy (Billy Crudup) and he still likes her and reads her on the Web.
In Italy, she eats such Pavarottian plates of pasta that I hope one of the things she prayed for in India was deliverance from the sin of gluttony. At one trattoria she apparently orders the entire menu, and I am not making this up. She meets a man played by James Franco, about whom, enough said. She shows moral fibre by leaving such a dreamboat for India, where her quest involves discipline in meditation, for which she allots three months rather than the recommended lifetime. There she meets a tall, bearded, bespectacled older Texan (Richard Jenkins) who is without question the most interesting and attractive man in the movie, and like all of the others seems innocent of lust.
In Bali she revisits her beloved adviser Ketut Liyer (Hadi Subiyanto), who is a master of truisms known to us all. Although he connects her with a healer who can mend a nasty cut with a leaf applied for a few hours, his own skills seem limited to the divinations anyone could make after looking at her, and telling her things about herself after she has already revealed them.
Now she has found Balance, begins to dance on the high wire of her life. She meets Felipe (Javier Bardem), another divorced exile, who is handsome, charming, tactful, forgiving and a good kisser. He explains that he lives in Bali because his business is import-export, "which you can do anywhere" — although later, he explains she must move to Bali because "I live in Bali because my business is here." They've both forgotten what he said earlier. Unless perhaps you can do import-export anywhere, but you can only import and export from Bali when you live there. That would certainly be my alibi.
The audience I joined was perhaps 80 percent female. I heard some sniffles and glimpsed some tears, and no wonder. "Eat Pray Love" is shameless wish-fulfillment, a Harlequin novel crossed with a mystic travelogue, and it mercifully reverses the life chronology of many people, which is Love Pray Eat.